If the story cannot be told fully and truthfully because the audience is too narrow, then the audience IQ has to be raised by including a broad cross-section of the community in its midst. Tab ContainerAbout The Story of Roadside's Founding, Playmaking, & Community Cultural Development Methodology Note Roadside Theater was founded in the coalfields of central Appalachia in 1975 as part of Appalshop , which had begun six years earlier as a War on Poverty/Office of Economic Opportunity job training program in film for economically poor youth. From Booklet: You and Your Community's Story Essay or Article Download original file Booklet: Educational Residency Process Essay or Article Download original file Booklet: Community Residency Process Essay or Article Download original file Roadside's Story Circle Methodology Note Roadside’s ensemble members grew up without television, immersed in a world of local stories and oral histories. The oral tradition, often in ballad form, is the most prominent feature of our shared Scots-Irish heritage, and it has shaped the Roadside's Community Cultural Development Theory, Approach, & Methodology Note Roadside’s community cultural development (CCD) practice, like its playwriting, grew out of experiences in its home community. After a performance of Mountain Tales and Music at a local high school, the school’s drama teacher asked the ensemble to Booklet: Help Yourself, A Cultural Workbook (1984) Essay or Article Download original file By Ruby Lerner & Dudley Cocke This workbook, written in the early 1980's for Alternate ROOTS , asks the reader to cite examples, imagine strategies, and comment on six areas pertinent to the development of a native body of plays Roadside Promo Calendar, 1989 Essay or Article Download original file When on tour, Roadside Theater worked with its presenters to get out an audience that represented a broad cross-section of each community. In 1980 the company created a Promotional Manual, Roadside Promo Manual, 1989 Essay or Article Download original file When on tour, Roadside Theater worked with its presenters to get out an audience that represented a broad cross-section of each community. In 1980 the company created a Promotional Manual, Commentary Booklet: Connecting Californians--An Inquiry into the Role of Story in Strengthening Communities Essay or Article Download original file By Dudley Cocke, Craig McGarvey, Erica Kohl, Linda Frye Burnham, James Quay How can different ways of discovering and presenting local stories in public contribute to the strengthening of community? Critical Discourse & the Future of Community Cultural Development Note Community Cultural Development (CCD) work is complex in the ways power seeks to preserve itself and the ways communities relate to power. While CCD practice requires focus and a willingness to confront issues, its secret weapon is the joy of A Story About Performance Space & Why It Matters Note When conducting a Community Cultural Development residency, an important agreement among the partners is "the project will strive to be inclusive in its producing practices. The work will be made in partnership with community organizations. Share this: Facebook Google Plus Twitter Community Cultural Development
The Story of Roadside's Founding, Playmaking, & Community Cultural Development Methodology Note Roadside Theater was founded in the coalfields of central Appalachia in 1975 as part of Appalshop , which had begun six years earlier as a War on Poverty/Office of Economic Opportunity job training program in film for economically poor youth. From
Roadside's Story Circle Methodology Note Roadside’s ensemble members grew up without television, immersed in a world of local stories and oral histories. The oral tradition, often in ballad form, is the most prominent feature of our shared Scots-Irish heritage, and it has shaped the
Roadside's Community Cultural Development Theory, Approach, & Methodology Note Roadside’s community cultural development (CCD) practice, like its playwriting, grew out of experiences in its home community. After a performance of Mountain Tales and Music at a local high school, the school’s drama teacher asked the ensemble to
Booklet: Help Yourself, A Cultural Workbook (1984) Essay or Article Download original file By Ruby Lerner & Dudley Cocke This workbook, written in the early 1980's for Alternate ROOTS , asks the reader to cite examples, imagine strategies, and comment on six areas pertinent to the development of a native body of plays
Roadside Promo Calendar, 1989 Essay or Article Download original file When on tour, Roadside Theater worked with its presenters to get out an audience that represented a broad cross-section of each community. In 1980 the company created a Promotional Manual,
Roadside Promo Manual, 1989 Essay or Article Download original file When on tour, Roadside Theater worked with its presenters to get out an audience that represented a broad cross-section of each community. In 1980 the company created a Promotional Manual,
Booklet: Connecting Californians--An Inquiry into the Role of Story in Strengthening Communities Essay or Article Download original file By Dudley Cocke, Craig McGarvey, Erica Kohl, Linda Frye Burnham, James Quay How can different ways of discovering and presenting local stories in public contribute to the strengthening of community?
Critical Discourse & the Future of Community Cultural Development Note Community Cultural Development (CCD) work is complex in the ways power seeks to preserve itself and the ways communities relate to power. While CCD practice requires focus and a willingness to confront issues, its secret weapon is the joy of
A Story About Performance Space & Why It Matters Note When conducting a Community Cultural Development residency, an important agreement among the partners is "the project will strive to be inclusive in its producing practices. The work will be made in partnership with community organizations.
